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The
Invisible Cities
Demo CD v1.0
self-release
Three
songs on a mini-disc-sized CD by a humble San Francisco-based trio
that isn't ashamed to present demos that sound like demos. The best
of the bunch is the opening low-fi number that's dominated (overpowered)
by a bass that throbs so much that my speakers almost split. Still,
the vocals and brush drums don't get lost, not too much anyway.
It's sort of a homemade trip-hop epic with Throwing Muses overtones
that, despite a horrendous recording job, still makes my knees shake.
By contrast, track 2
("Birthday") is better-recorded and more straight-ahead
from an indie standpoint -- slower, slacker, a shot at Kindercore
pop. Vocalist Sadie Contini sounds kinda sad, kinda sweet, like
Liz Phair back when Liz Phair still felt something. The last song
is another low-fi mess, all scratchy electric guitar and kettle
drum and Contini fuzzed through fuzzed equipment, singing about
having a "shot of whiskey in each hand" while she does
the indie twist with the rest of us.
Rough, really rough.
But just like all good music, the good parts shine through the muck.
Get 'em an engineer and a studio and watch the sparks fly. Hell,
they're already flyin'.
back
to
Posted Oct. 13,
2002. Copyright © 2002 Tim McMahan. All rights reserved.
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Rating: Yes
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Obligatory pull-quote:
"Rough,
really rough. But just like all good music, the good parts shine
through the muck." |
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